Elisabeth Sterken, director of the Infant Feeding Action Coalition in Canada, said four decades of research have established the importance of breast milk, which provides essential nutrients as well as hormones and antibodies that protect newborns against infectious disease. A 2016 study in The Lancet found that universal breast-feeding would prevent 800,000 child deaths a year across the globe and yield $300 billion in savings from reduced health care costs and improved economic outcomes for those reared on breast milk.

Scientists are loath to carry out double-blind studies that would provide one group with breast milk and another with breast milk substitutes. “This kind of ‘evidence-based’ research would be ethically and morally unacceptable,” Ms. Sterken said. Abbott Laboratories, the Chicago-based company that is one of the biggest players in the $70 billion baby food market, declined to comment. Nestlé, the Switzerland-based food giant with significant operations in the United States, sought to distance itself from the threats against Ecuador and said the company would continue to support the international code on the marketing of breast milk substitutes, which calls on governments to regulate the inappropriate promotion of such products and to encourage breast-feeding.

In addition to the trade threats, Todd C. Chapman, the United States ambassador to Ecuador, suggested in meetings with officials in Quito, the Ecuadorean capital, that the Trump administration might also retaliate by withdrawing the military assistance it has been providing in northern Ecuador, a region wracked by violence spilling across the border from Colombia, according to an Ecuadorean government official who took part in the meeting.

The United States Embassy in Quito declined to make Mr. Chapman available for an interview. “We were shocked because we didn’t understand how such a small matter like breast-feeding could provoke such a dramatic response,” said the Ecuadorean official, who asked not to be identified because she was afraid of losing her job.

Why does capitalism have to come first, America? Internationally threatening other countries if they advocate and protect for breastfeeding, seriously?!

Why are we electing people who want what is best for them and those who they lobby for than what is best for our children and humanity as a whole?!

Why is doing what is right and selfless so difficult, especially for infants?

#NormalizingBreastfeeding

#AmericaForBreastfeeding

#FormulaIsOKtoo

#BreastIsBest

#FormulaIsAvailableBeThankful

#FormulaIsSafe

Let you voice be heard!

Click source for the direct link mobile to the article.

Image used through CC0 Creative Commons

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U.S. Opposition to Breast-Feeding Resolution Stuns World Health Officials (article)

REMEMBER: Things can ALWAYS get better. If you want change, go out and do it.

Actions speak louder than words.

Michael Jackson said it best, “I’m starting with the man in the mirror/ I’m asking him to change his ways/ And no message could have been any clearer/ If you wanna make the world a better place…/Take a look at yourself, and then make a change…”

Change

I found a great quote that explains the difference between depression and grief, I think, by Patton Oswalt.

As serious fans of his comedy know, Mr. Oswalt has suffered from depression, but this, he said, was far worse. “Depression is more seductive,” he said. “Its tool is: ‘Wouldn’t it be way more comfortable to stay inside and not deal with people?’ Grief is an attack on life. It’s not a seducer. It’s an ambush or worse. It stands right out there and says: ‘The minute you try something, I’m waiting for you.’

Source: Patton Oswalt: I’ll never be at 100 percent again.

Image info: The comedian Patton Oswalt at the Chateau Marmont in West Hollywood, Calif. Mr. Oswalt’s wife died in April, and it has been a long, hard climb for him to return to comedy. KENDRICK BRINSON FOR THE NEW YORK TIMES

The difference between Depression and Grief

 Last week, an article in The Guardian, “Most YA Fiction is Grown-Up Fiction in Disguise,” argued that YA writers are missing their target audience. Now, publishing in the UK looks very different from publishing in the US, but the article got me thinking. What makes a YA book YA, and are teens still connecting with new YA books? Who are we writing YA for?

First, what makes a book YA? The simplest answer is the age of the main characters — typically fourteen to eighteen is considered YA, though there’s some flexibility there. But making a character sixteen doesn’t automatically make a book YA. The characters have to sound like teens, and they have to be dealing with problems teens face. If a book is high fantasy, the characters’ struggles can still mirror those of contemporary teens — figuring out who they are, navigating changing friendships, assuming more responsibilities, dealing with parental/family/community expectations, first loves and first heartbreaks … I could keep going, but I think you get the idea. For a YA book to resonate with teen readers, the characters must be authentic teens — they must worry about things teens worry about, and they must talk and act like teens. Voice is huge in kid lit. Whether you’re writing a chapter book, middle grade, or YA, your characters have to sound like kids their age. (If you want an excellent example of this, check out All American Boys by Jason Reynolds and Brendan Kiely. While I’m sure many adults will enjoy this book, it’s hard to argue, as the Guardian article suggests, that this is adult fiction in disguise.)

So, are teens still connecting with new YA books? The teens in my community are. And teens are lining up to meet YA authors at book festivals all across the country — at the Texas Teen Book Festival, at YALLFest, at Book Con, and at hundreds of other smaller gatherings at libraries and bookstores. I’ve heard teens in heated debates about their favorite characters and series. And if you look at all the fan art and fan fiction created by teens about teen books, I think you’ll find teen interest in YA is alive and well.

Still, the question remains, who are we writing YA for? Most YA writers I know say they write for teens. Diverse authors often say they write the books they wish they’d had as teens. And I’m thrilled to have those books now to share with the teens in my community.

As a YA writer, I’ll be thrilled if adults connect with my books. I hope some adults will. But I don’t write my books for those readers. I write them for the teens who may see themselves in my characters, who may be facing the same challenges as those characters, who may read my books and realize that they’re not alone. Because that’s what I wanted from YA books as a teen.
If you’re a writer, who do you write for? Do you feel YA has become more adult lately?

Source: https://lizosisek.wordpress.com/2016/06/14/who-are-we-writing-ya-for/

Who are we writing YA for?

Good Morning Readers,

While looking at Dungeons and Dragons related posts, I found this wonderful article that I recommend reading. It was so nice to find someone else who had a similar experience, thoughts, and feelings with depression, anxiety, and gaming.

I hope it helps. Enjoy!

It goes without saying, this post is going to talk a fair bit about depression, anxiety and related issues. This takes up a good part of the first couple of sections of this post, but if you want to avoid the nitty gritty bits of discussing depression and get to the “This is how my […]

Via https://roleplayersguild.wordpress.com/2015/08/13/how-roleplaying-and-fantasy-helped-with-depression/

How Roleplaying and Fantasy Helped With My Depression